Read July 2014
An interesting book with a complicated and obscure message. It’s the story of a world in which the Nazis and Japan won the war, and split the world, with the US being a kind of occupied buffer in the middle. It follows a number of people: Childan, who sells ‘authentic’ American wares to Japanese and German officials wanting to own a bit of the old world; Juliana, an American woman living a precarious existence who eventually goes on the search for the author of an underground book about what would be like if the Germans had lost the war; and a number of Japanese and German high officials who are trying to govern in a paranoid and unstable totalitarian regime.
It’s hard to say that there’s a moral to the story, but there is a theme: fictions. Through the book, nobody is who they say they are, nobody says what they mean and everything is obscured by the layers of lies, pretence and bluffs that are essential to propping up a totalitarian regime. It’s more subtle than Orwell’s 1984 though. It’s not simply that there is a totalitarian power that everyone knows is horrible but can’t speak about, or that they are indoctrinated unquestioning dupes. It’s that the people believe the fictions even whilst they see evidence to the contrary and are constantly unsettled and decentred by it.
Juliana goes near-crazy because she is travelling with a man she knows is lying to her, and is in fact a Nazi using her to get to the underground writer; Hawthrown, the underground writer, is reputed to be safely secured in a high castle (of the title) but is in fact living a normal suburb without any obvious threat or concern; Childan realises that his Japanese clients have seen through the sham that is the mass production of ‘authentic’ US wares but that they continue to pretend to themselves that they are real nevertheless; a senior Japanese official kills some Nazi thugs in his office but the Nazi’s pretend he didn’t to maintain order; Another senior official buys authentic wares from Childan because, though he doesn’t believe they have any traditional or spiritual value, he wants to believe; and in the end it transpires that the underground book may in fact be true, the Germans and Japanese lost the war, but the world continues to act otherwise.
The opaque nature of the story is amplified by the style of writing. To reflect the difficulties of communication between people from different countries, the dialogue is written in pidgin English, which strengthens the feeling that this is a world that is hard to to understand.
As a book it’s like its theme: obscure, hard to see through, difficult to get any clarity on.