This has everything you’d expect from a Leonard book – cool and ludicrously readable dialogue (of course), a string of morally ambiguous characters, murder and drugs and plotting and theft – plus, in this book, bombs and 60s radicals gone bad, taking a dose of nihilism and bomb making skills with them.
It’s the story of once-radicals Robin and stoner-slash-bomb maker Skip, who put together a plan to use bombs and deceit to dupe super rich Woody and Mark Ricks out of a few million. It’s complicated by Woody’s assistant Donnell who also wants to benefit from their wealth, and by explosives cop Chris and Greta, a wanna-be actress. As you’d expect, the plot twists and turns satisfyingly, and the good-ish guys kind of win out, though there’s certainly no moral to be taken from this tale.
I was, though, particularly aware of Leonard’s treatment of women in this novel. Greta says early on that she has been raped by Woody. It’s unclear whether this is true or not, and at times Leonard seems to be saying she led him on, especially as Woody is an obese semi-comatose alcoholic. It’s never dealt with or clarified, and Greta seems untroubled by it. I guess it’s indicative of his treatment of female characters. Some of them anyway are little more than objects of playthings for men, and have little depth to them. Obviously this isn’t always true – Robin in Freaky Deaky is the brains and probably the most interesting character in the book – but in the case of Greta it certainly is.
This doesn’t make it a bad book – it’s a fun, gripping and character-packed read, but you do need a certain detachment I think, so you don’t think that the treatment of Greta as a character is ok.