This epic boxset-like novel features a huge cast of characters and dissects, like little else, the intricacies of small town politics – and the dangers we face as the world’s resources become more limited.
It begins when a mysterious see-through dome descends on the small town of Chester’s Mill, killing birds, animals and humans as it does so, and trapping the town’s population. The US government begins looking into the causes and possible solutions, but it’s clear very quickly that the dome dwellers are on their own.
We meet an array of Chester’s Mill residents. Rennie, a small time politician who sees this as his chance to hold power, finally. He engineers situations – like a food riot at the supermarket – to justify more police and greater police violence, eventually recruiting some of the most horrible twenty-somethings to police the town. It turns out he’s a big time criminal who is brewing crystal meth, and is in fact stealing the dwindling town supplies of propane to keep the meth factory going.
We meet his unstable and ill son, Rennie Jr, who is in the midst of a horrific killing spree, which would have happened regardless of the dome, but whose mental and physical ill health is exacerbated by the the dome.
We meet Barbie, an army veteran cooking in the town diner, who is in fact leaving town when the dome comes down following a run-in with Rennie Jr and his pals. Blocked by the dome, an army official from the outside – Colonel Cox – asks him to lead the town, a suggestion that Rennie does everything in his power to stop.
And we meet Julia, the local paper’s editor who is intent on speaking truth to power, not least to Rennie and his gang of thugs, even as her paper and her life are constantly threatened by Rennie.
From here ensues hundreds of pages about the politics, intrigue and terror of a small town population trapped in a confined space with limited resources and growing despair about being freed, as a small few try to turn the situation to their advantage.
In short bursts of 3 or 4 pages, King takes us through the lives and emotions of probably nearly a hundred people – and it’s truly gripping. You start to connect to loads of them. Andy Sanders who turns from a naive politician to a gun-toting meth addict after his family dies. Sam Bushy who is horrifically raped by the new police recruits and kills plenty of them in return. Rusty, a medical assistant who becomes the town’s surgeon after the only qualified surgeon dies.
And as the story goes on, gradually there are less and less of them – very few in fact. So few that the apparent hero at the start – Barbie – appears far from that by the end, not because he’s turned away from heroic but because events conspire against him and the other good guys almost entirely.
I can’t help feeling that the final 100 or so pages, where King tries to bring a supernatural explanation and finale to the dome, are a bit of a let down. It’s the townspeople, their relationships, the insight into how terrified and cornered people behave, that are so mesmerising. You can’t help making the jump from this story to the impact of climate change, and thinking it does not bode well for us.