Written in Ali Smith’s wonderfully readable style, this a story about hope and positivity set against a very contemporary setting of immigration and discrimination.
Two tales interweave over the book. One is of an ageing BBC play director who is grieving the loss of his best friend, a women called Paddy. He impetuously gets on a train to Scotland to get away from the pressures of a new play he’s been asked to direct.
The other is of a security guard at a migrant detention centre, Brit, who apparently randomly meets a 12 year old called Florence who she thinks she recognises as a pro-migrant activist and, mostly out of curiousness and a sense of adventure, joins her on a train journey to Scotland. And it’s on the train that they meet Richard.
They are picked up by a women called Alda from the station who, it turns out, is part of a network of resistance against migrant detention.
This novel is an insightful take on the injustice and downright unfairness of migrant detention centres. But more than this it’s a positive exploration of human motivation. Brit, in particular, is far from the stereotypical prison guard; her reasons for doing her job are not clear but she does her job with care and attention, and her sense of protection towards Florence is huge, and she begins to develop a friendship with her, one as equals, even if she ends up disappointed at the end.
Florence meanwhile is a beacon of hope – impossibly intelligent, mature, brave, challenging, charming, a symbol of what immigrants offer.
It is spring after all, so much of this is about hope, even against a backdrop of racism and sexism and immigrant sentiment.
And as always, it’s as much Ali Smith’s style that makes this book. She writes in long flowing sentences that you kind of gulp down, that are realistic, that read just as you’d hear them, without adornment or metaphor or pretension. Despite tackling weighty themes and the big ideas of social theory that lie behind much of her writing, her style is fluid and readable and digestible.