“A poem in translation,

the young man was fond of saying,

is like the dead body of a foreigner

washed up on our shores.”

Kevin Prufer, The Translator, in Paris Review Spring 2017

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“What happens formally in Citizen, Don’t Let Me Be Lonely and Plot is an obsessive circling of the subject. Many positions are inhabited relative to a line of enquiry. It’s like one of those mirrored rooms where the spectator sees the same thing repeated in different variations and from different angles.

“Didn’t feel it the first time? Here it is again. We don’t get there by saying it once. It’s not about telling the story, it’s about creating the feeling of knowing the story through the accumulation of the recurring moment.

Claudia Rankine interviewed in the Paris Review, Winter 2016.